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A window almost closed over by ivy, two stone troughs on the gravel beneath it.
Moon jar, Korea, second half 18th century
Fireworks at Ryōgoku, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858), 1858
Fragment, Dorothy M. Larcher (British, 1884–1952), 1933
A night street lit by a pink neon sign, scooters parked along the kerb.
Vase, Grueby Pottery, ca. 1898–1909
South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji, Katsushika Hokusai (Japanese, 1760–1849), early 1830s
The Whirlpools of Awa, Utagawa Hiroshige (Japanese, 1797–1858), 1857
Wurzblatt (Wallpaper Design), Designed by Dagobert Peche (Austrian, 1887–1923), c. 1915
Tall French windows with sheer curtains, light falling across a bed.
Rooftops at dusk with a lit skyline behind them.
Pitcher, Christopher Dresser, ca. 1880
Carp Swimming by Water Weeds, Katsushika Hokusai (Japanese, 1760–1849), 1831
Bride's Quilt, Sarah Catherine "Kate" (née Strother) McClanahan (American, 1834/35-1887), 1868
A small Monet in a gilt frame on a white gallery wall.

It catalogues itself.

A window almost closed over by ivy, two stone troughs on the gravel beneath it.
Moon jar, Korea, second half 18th century
Fireworks at Ryōgoku, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858), 1858
Fragment, Dorothy M. Larcher (British, 1884–1952), 1933
A night street lit by a pink neon sign, scooters parked along the kerb.
Vase, Grueby Pottery, ca. 1898–1909
South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji, Katsushika Hokusai (Japanese, 1760–1849), early 1830s
Wurzblatt (Wallpaper Design), Designed by Dagobert Peche (Austrian, 1887–1923), c. 1915
Tall French windows with sheer curtains, light falling across a bed.
Rooftops at dusk with a lit skyline behind them.
Pitcher, Christopher Dresser, ca. 1880
Carp Swimming by Water Weeds, Katsushika Hokusai (Japanese, 1760–1849), 1831
Bride's Quilt, Sarah Catherine "Kate" (née Strother) McClanahan (American, 1834/35-1887), 1868
A small Monet in a gilt frame on a white gallery wall.
A Paris street in late sun, planters along the pavement and stone facades.
Wedding Jar, Southwest, Pueblo, Santa Clara, Post-Contact, 20th century, c. 1900
Study of a Tulip (Ammirael Winckel), Pieter Holsteyn II (Dutch, c.1612–1673), c. 1645
Fragment (From a Kimono), Japan
A gold watch on a cream cushion, striped cloth beneath.
Orange neon letters on a blue wall at night.
Bowl, George E. Ohr, ca. 1898–1910
The Whirlpools of Awa, Utagawa Hiroshige (Japanese, 1797–1858), 1857
Fragment with "Petworth" Design, Liberty and Company (British), 1890
A bed by a window that looks straight into a forest.
A lit Japanese sign on a dark building at night.
Tea Bowl with "Hare's fur" Glaze, China, Song dynasty (960–1279)
Raven's Head in Profile, Édouard Manet (French, 1832–1883), 1875
"Forest" Quilt, United States, 1861
A small lidded ceramic pot with a painted landscape, on a grey table.
A café front painted sage green, tables set out under the awning.

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